Tim Chaisson performs “Real” in the lobby of Main Building at UPEI. Check out Tim Chaisson and Morning Fold’s latest album on iTunes.
You know what’s cool? This.
Why, you ask? Because for one, it’s an island musician - a damn good one, who deserves all the attention he gets. And two, they’ve got a blog with a ton of these talented musicians that happen to be on the UPEI campus (pretty sure that they don’t all attend, given that the list has Fred Penner on it, too… the guy can’t not be a teacher. Brilliant.).
Is this a great and authentic way to market the culture of PEI, the campus life and its music department? You’re damn right it is. (Thanks for posting this, Mitch)
(Source: campussessions)
life:
It was fifty years ago today that Bob Dylan had his first recording session at Columbia Records. Dylan was backup harmonica for folk singer Caroline Hester — It was shortly after that Dylan was offered his own deal with Columbia.
see more — Bob Dylan: The Early Days
Guys, Bobby D has been rocking the shit out of life for over half a century. So cool.
Even if the new iPhone doesn’t come out in September, at least I can fall back on the musical mastery of this son of a gun, Mr Dan Fucking Mangan. Oh you’ve already bought his album and kissed his mother’s cheek? Go sit down.
Your dad played obscure musical instruments before you did and there’s a sultry flute ballad about your mom to prove it. Everyone plays guitar, it’s the English of instruments that frat dogs pick up to woo women with unoriginality. Your dad was a true musician, a virtuoso of cylindrical steel and The Pied Piper of panty dropping. His fingers could craft high notes that rang tree tops with euphoria, and sometimes he didn’t even need his flute to do it.
So hipsters, next time you’re red eyed at an Edward Sharpe and the Magnetic Zeros concert and feeling mystically inspired to start playing the accordion or viola, remember this…Your dad could give you obscure music lessons if he wasn’t busy working to pay for your liberal arts degree.
Big thank you to Erin for today’s photo.
Make note: I can play any song he can play. Actually.
New from City and Colour - Fragile Bird.
Read an interview a while ago, I’ll be damned if I could remember where, but he had said that this album was going to sound quite different from Bring Me Your Love. Less only Dallas Green and a guitar, more Dallas Green and accompanying experimental instruments. More more more.
I approve.
Note: Islanders are bold for easy spotting!
- Classical Recording of the Year - Measha Brueggergosman for ‘Nights and Dreams’
- Folk Recording of the Year - David Myles for ‘Turn Time Off’
- Roots/Traditional Group Recording of the Year - Ennis for ‘Lessons Learned’
- Roots/Traditional Solo Recording of the Year - Dave Gunning for ‘A Tribute to John Allan Cameron’
- Instrumental Recording of the Year - Gypsophilia for ‘Sa-ba-daOW!’
- Female Solo Recording of the Year - Rose Cousins for ‘The Send Off’
- Gospel Recording of the Year - Chelsea Nisbett for ‘Anchored Roots’
- Male Solo Recording of the Year - Matt Andersen for ‘Piggyback’
- Alternative Recording of the Year - Slowcoaster for ‘The Darkest of Discos’
- Blues Recording of the Year - Mat Anderson for ‘Piggyback’
- Country Recording of the Year - Meaghan Blanchard for ‘Chasin’ Lonely Again’
- Jazz Recording of the Year - Dwayne Côté & Duane Andrews for ‘Dwayne Côté & Duane Andrews’
- Loud Recording of the Year - The Fed Pennies for ‘Brain Disaster’
- Pop Recording of the Year - Meaghan Smith for ‘The Cricket’s Orchestra’
- R&B/Soul Single Track Recording of the Year - Chelsea Nisbitt for ‘Anchored Roots’
- Rap/Hip-Hop Single Track Recording of the Year - Ghettosocks for ‘Don’t Turn Around (feat. Edgar Allen Floe)
- Rock Recording of the Year - Chris Colepaugh & The Cosmic Crew for ‘Missed A Page’
- World Recording of the Year - The Idlers for ‘Keep Out’
- Event of the Year - Halifax Pop Explosion
- Independent Company of the Year - SpinCount
- Industry Professional of the Year - Kimberly Sinclair (SpinCount)
- Live Sound Technician of the Year - Carl Gosine (Sennheiser)
- Producer of the Year - Dave Gunning
- Studio of the Year - The Sonic Temple
- Studio Engineer of the Year presented by OIART - Jamie Foulds (Soundpark Studios)
- Musician of the Year - Chaz Guay
- Stoppin’ Tom Award - Elliott White
- Industry Builder of the Year - Heather Ostertag (F.A.C.T.O.R.)
- DVD of the Year - The Trews for ‘The Trews Acoustic: Friends & Total’
- Broadcast of the Year - Atlantic Airwaves
- Manager of the Year - Shelley Chase
- Media Person of the Year - Doug Gallant
- Radio Station of the Year - The Coast 89.7
- Venue of the Year - The Company House
- Visual Artist of the Year - Chris Smith (funkfactor)
- Rising Star Recording of the Year - The Stanfields
- Vibe Creative Group Single of the Year - David Myles for ‘Need A Break’
- Children’s Recording of the Year - Rick Barron for ‘Over in the Meadow’
- Socan Songwriter of the Year - Rose Cousins for ‘I Were the Bird’
- Fan’s Choice Video of the Year - The Trews for ‘Highway of Heroes’
- Francophone Recording of the Year - Lennie Gallant for ‘Le Coeur Hanté’
- Factor Recording of the Year - Wintersleep
- Dr. Helen Creighton Lifetime Achievement Award - Haywire
- Group Recording of the Year - The Once for ‘The Once’
- Fan’s Choice Entertainer of the Year - Chris Colepaugh & The Cosmic Crew
Yay, East Coast. So much good music on this list. I wish I was home last week for all of the festivities.
(Source: ecma.ca)
Summer’s Day by Chief
Wake up and walk in the street
people are all around me
You are the prettiest girl
the prettiest girl in all the world
….
I will sing a sad sad song
Perse your lips kiss them long
Sleep and dream and repeat
These days for me
On a summer’s day…
I want to kiss you.
Like a traffic jam.
I want to move slow.
I want to stop and go like at least I know I’m moving towards you.
Some doctors are only worth a nickel.
Dr Jemaine, for example, probably has an opinion that isn’t worth shit.
His music on the other hand, hilarious and worth at least a quarter. (Picture from this wonderful lady)
Hey Friends, Here’s a rainy new song captured beautifully by Joe and Josh for Vancouver Is Awesome/Amazing Factory.
Thank you Mr Knight.
You’re welcome, World.